by Darkroom

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A piece originally composed for a Greek compilation album themed around the concept of the "deconstructed guitar".

Mike Bearpark's trademark multi-pedal guitar techniques are put through the unique Os studio filter to produce this evocative Fripp and Eno-tinged soundscape.


released August 1, 2004



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Darkroom London, UK

Guitar but not guitar; synthesizers but not keyboards – Darkroom’s music starts with improvisation and a distinctive approach to sound design, followed by disciplined editing and stop-motion studio craft. By turns beautiful and beautifully ugly, theirs is a very human music that always sounds ‘played’ not ‘programmed’, despite the technology that's essential for producing it. ... more

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